1.0artch - emerging contemporary arthttps://artch.org/en/artchhttps://artch.org/en/author/artch/Counter mapping Place Ville-Marie - (Creation) - artch - emerging contemporary artrich600338<blockquote class="wp-embedded-content" data-secret="Z9hJp7F3sj"><a href="https://artch.org/en/counter-mapping-place-ville-marie-creation/">Counter mapping Place Ville-Marie – (Creation)</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://artch.org/en/counter-mapping-place-ville-marie-creation/embed/#?secret=Z9hJp7F3sj" width="600" height="338" title="“Counter mapping Place Ville-Marie – (Creation)” — artch - emerging contemporary art" data-secret="Z9hJp7F3sj" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script type="text/javascript">
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https://artch.org/wp-content/uploads/2024/09/1-10-scaled.jpg25601260Artist Tricia Enns presents an participative performance that explores alternative ways of connecting with public space and the relational narratives it holds. Tricia Enns invites the audience into a counter-mapping process through several approaches: debris mapping, where participants collect discarded objects to make paper together, and ineffective mapping, a concept developed by L. Knight, which involves drawing patterns representing perceived sounds and movements in a somatic and meditative process. She also proposes the creation of sensory maps, using grids to represent the smells and sounds captured around Place des Arts and linking them to personal memories.