{"id":2392,"date":"2022-09-02T15:35:56","date_gmt":"2022-09-02T19:35:56","guid":{"rendered":"https:\/\/artch.org\/po-b-k-lomami-aksanti-33-part-1\/"},"modified":"2024-02-05T08:53:32","modified_gmt":"2024-02-05T13:53:32","slug":"po-b-k-lomami-aksanti-33-part-1","status":"publish","type":"post","link":"https:\/\/artch.org\/en\/po-b-k-lomami-aksanti-33-part-1\/","title":{"rendered":"Po B. K. Lomami – aksanti 33 (part 1)"},"content":{"rendered":"

[et_pb_section fb_built=”1″ _builder_version=”4.18.0″ _dynamic_attributes=”background_image” _module_preset=”default” background_image=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9mZWF0dXJlZF9pbWFnZSIsInNldHRpbmdzIjp7fX0=@” min_height=”90vh” min_height_tablet=”50vh” min_height_phone=”50vh” min_height_last_edited=”on|phone” max_height=”90vh” max_height_tablet=”50vh” max_height_phone=”50vh” max_height_last_edited=”on|desktop” custom_padding=”6%||||false|false” global_colors_info=”{}”][et_pb_row _builder_version=”4.18.0″ _module_preset=”default” width=”88%” max_width=”100%” min_height_tablet=”” min_height_phone=”” min_height_last_edited=”on|phone” max_height_tablet=”” max_height_phone=”” max_height_last_edited=”on|desktop” custom_padding=”0px||||false|false” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.18.0″ _module_preset=”default” header_2_font=”|||on|||||” header_2_text_color=”#FFFFFF” header_2_font_size=”85px” animation_style=”slide” animation_direction=”bottom” animation_duration=”500ms” animation_delay=”0.3ms” animation_intensity_slide=”40%” header_2_font_size_tablet=”40px” header_2_font_size_phone=”30px” header_2_font_size_last_edited=”on|phone” header_2_text_shadow_style=”preset3″ header_2_text_shadow_color=”rgba(0,0,0,0.3)” global_colors_info=”{}”]<\/p>\n

Artch festival<\/h2>\n

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Festival Artch<\/p>\n

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Performance<\/h2>\n

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Free<\/h3>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_3,1_3″ use_custom_gutter=”on” gutter_width=”4″ _builder_version=”4.18.0″ _module_preset=”default” width=”88%” width_tablet=”80%” width_phone=”80%” width_last_edited=”on|tablet” max_width=”100%” max_width_tablet=”100%” max_width_phone=”100%” max_width_last_edited=”on|tablet” custom_padding=”0px||0px||true|false” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.18.0″ _module_preset=”default” custom_padding=”|8vw|||false|false” custom_padding_tablet=”|0vw|||false|false” custom_padding_phone=”|0vw|||false|false” custom_padding_last_edited=”on|phone” global_colors_info=”{}”][et_pb_text _builder_version=”4.18.0″ _module_preset=”default” width_tablet=”” width_phone=”” width_last_edited=”on|desktop” max_width_tablet=”” max_width_phone=”” max_width_last_edited=”on|tablet” animation_style=”slide” animation_direction=”bottom” animation_duration=”500ms” animation_delay=”0.9ms” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]<\/p>\n

\ud835\udc0f\ud835\udc28 \ud835\udc01. \ud835\udc0a. \ud835\udc0b\ud835\udc28\ud835\udc26\ud835\udc1a\ud835\udc26\ud835\udc22<\/div>\n
\ud835\udc13\ud835\udc22\ud835\udc2d\ud835\udc25\ud835\udc1e : \ud835\udc1a\ud835\udc24\ud835\udc2c\ud835\udc1a\ud835\udc27\ud835\udc2d\ud835\udc22 \ud835\udfd1\ud835\udfd1 (\ud835\udc29\ud835\udc1a\ud835\udc2b\ud835\udc2d \ud835\udfcf)<\/div>\n
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\ud835\udc05\ud835\udc2b\ud835\udc22\ud835\udc1d\ud835\udc1a\ud835\udc32 \ud835\udc12\ud835\udc1e\ud835\udc29\ud835\udc2d\ud835\udc1e\ud835\udc26\ud835\udc1b\ud835\udc1e\ud835\udc2b \ud835\udfcf\ud835\udfd4\ud835\udc2d\ud835\udc21 \ud835\udc1a\ud835\udc2d \ud835\udfd3:\ud835\udfd1\ud835\udfce \ud835\udc29\ud835\udc26
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\ud835\udc12\ud835\udc1a\ud835\udc2d\ud835\udc2e\ud835\udc2b\ud835\udc1d\ud835\udc1a\ud835\udc32 \ud835\udc12\ud835\udc1e\ud835\udc29\ud835\udc2d\ud835\udc1e\ud835\udc26\ud835\udc1b\ud835\udc1e\ud835\udc2b \ud835\udfd0\ud835\udfd2\ud835\udc2d\ud835\udc21 \ud835\udc1a\ud835\udc2d \ud835\udfd4:\ud835\udfce\ud835\udfce \ud835\udc0f\ud835\udc0c
\ud835\udc0f\ud835\udc1e\ud835\udc2b\ud835\udc1f\ud835\udc28\ud835\udc2b\ud835\udc26\ud835\udc1a\ud835\udc27\ud835\udc1c\ud835\udc1e\u2019\ud835\udc2c \ud835\udc1d\ud835\udc1e\ud835\udc2c\ud835\udc1c\ud835\udc2b\ud835\udc22\ud835\udc29\ud835\udc2d\ud835\udc22\ud835\udc28\ud835\udc27:
After so many separations, disappearances, and relocations, what remains? In this laboratory, Po B. K. Lomami creates an intimate experiment that settles into the material and immaterial instability of lineage. Attempting to maintain their familial and cultural ties through the experience they share with their mother, doubt is confirmed in every moment, gesture and space. Perhaps through effort and pain they will succeed in creating a temporal loop that will preserve their future. aksanti 33 (part 1) is a performance that tests an uncertain legitimacy, threatened by shame and fear of failure, at a crucial age.<\/div>\n
\u00a0<\/div>\n
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\ud835\udc03\ud835\udc1a\ud835\udc2d\ud835\udc1e\ud835\udc2c : \ud835\udc04\ud835\udc2f\ud835\udc1e\ud835\udc2b\ud835\udc32 \ud835\udc1d\ud835\udc1a\ud835\udc32, \ud835\udc2c\ud835\udc29\ud835\udc28\ud835\udc27\ud835\udc2d\ud835\udc1a\ud835\udc27\ud835\udc1e\ud835\udc28\ud835\udc2e\ud835\udc2c \ud835\udc1a\ud835\udc29\ud835\udc29\ud835\udc1e\ud835\udc1a\ud835\udc2b\ud835\udc1a\ud835\udc27\ud835\udc1c\ud835\udc1e\ud835\udc2c
Administrative permanence is a period of time during which the artist is present or provides an agent at the performance site for service necessity outside of effective work periods. Permanence offers a quick and automated emotional exchange service for the large public through an individual and personal approach.<\/div>\n
\u00a0<\/div>\n
Free event, open to all<\/div>\n
\ud835\udc01\ud835\udc22\ud835\udc28
Po B. K. Lomami (Pauline Batamu Kasiwa Lomami) is a self-taught interdisciplinary artist, art administrator, and artistic and public programmer. They are a Congo descendant from Belgium currently based in Tiohti\u00e0:ke-Mooniyang-Montreal.
Exploring Afrofuturist principles and methodologies, Lomami\u2019s art practice revolves around the displacement of work, the becoming of their subjectivity, and the possible collective futures with black, crip, queer and Afrofeminist perspectives.
Lomami holds a bachelor\u2019s degree (2011) and a master\u2019s degree (2014) in Business Engineering from the University of Namur. They recently earned a Graduate Diploma in Communication Studies from Concordia University (2022) for which they were awarded the Pat and Bill Tierney Scholarship for academic excellence.
Lomami\u2019s work has been presented at Massimadi Bruxelles (Belgium, 2015), Skylten (Sweden, 2016), Mile-End Gallery (Montreal, 2018), CDEx at UQ\u00c0M (Montreal, 2019), Bootleg by DOC! (New York, 2019), Casa del Popolo (Montreal, 2019), and Articule (Montreal, 2021). They self-published the zines LITTLE RADICAL SECRETS |1| (2016) and Montreal, 1985 (2018), with their texts also having been published in Assi\u00e9g\u00e9Es (2015 et 2017), Q-zine (2017), and Vulnerable Paradoxes by PME Art (2021).
In fall 2022, Lomami will join the MFA program in Studio Arts \u2013 Intermedia at Concordia University for which they received the Dave McGary Memorial Award, the Concordia Fine Arts Scholarship, and the Desjardins Foundation Scholarship. They will also continue the Specialized Graduate Diploma program in Fine Arts and Creative Technologies at the University of Montreal.<\/div>\n

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Join us for the opening of the exhibition<\/p>\n

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Performance at Dorchester Square in Montreal.<\/p>\n","protected":false},"author":4,"featured_media":1782,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","inline_featured_image":false,"footnotes":""},"categories":[27],"tags":[],"class_list":["post-2392","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-artch-festival-en"],"acf":[],"yoast_head":"\nPo B. K. Lomami - aksanti 33 (part 1) - artch - emerging contemporary art<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/artch.org\/en\/po-b-k-lomami-aksanti-33-part-1\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Po B. K. 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